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	<title>rageartcollective</title>
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	<pubDate>Mon, 23 May 2022 13:36:32 +0000</pubDate>
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		<title>Main Page</title>
				
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		<pubDate>Thu, 05 Sep 2019 10:51:52 +0000</pubDate>

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&#60;img width="1220" height="1540" width_o="1220" height_o="1540" data-src="https://freight.cargo.site/t/original/i/e8d68ffd073e3d76556a07943b572ae42806aedba5c4bd7cbd24c552b0f9ca5b/a369b6090c725ed5e3b87f0607526a7eecfde993_2200.jpg" data-mid="49952492" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e8d68ffd073e3d76556a07943b572ae42806aedba5c4bd7cbd24c552b0f9ca5b/a369b6090c725ed5e3b87f0607526a7eecfde993_2200.jpg" /&#62;


	
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web4.mp4 from amale khlat on Vimeo.

	RAGE is an artist collective with a fluid approach to membership. RAGE was established in 2016 by a group of international students who met while studying at the Royal College of Art. It was formed under artist Peter Kennard’s guidance. RAGE has worked with a number of festivals and institutions, and collaborated with artists from 12 different countries and cities around the world.&#38;nbsp;

	&#60;img width="1265" height="1395" width_o="1265" height_o="1395" data-src="https://freight.cargo.site/t/original/i/4390b85792aeab439064a38baaf474ab76d585d71ad27ffa9f5ceada3571a829/CFCCA-TRI-FRAME-300MM-spacers-B-1.JPG" data-mid="49953782" border="0"  src="https://freight.cargo.site/w/1000/i/4390b85792aeab439064a38baaf474ab76d585d71ad27ffa9f5ceada3571a829/CFCCA-TRI-FRAME-300MM-spacers-B-1.JPG" /&#62;3D model of the installation, part of&#38;nbsp;404: Resistance in the Digital Age.


	
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Sketches and models&#38;nbsp;
	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/61d6249a7499d888884c8180610a9229da63662dfefa1f44acb011cb3ded9946/BQ0A0582.jpg" data-mid="49953257" border="0"  src="https://freight.cargo.site/w/1000/i/61d6249a7499d888884c8180610a9229da63662dfefa1f44acb011cb3ded9946/BQ0A0582.jpg" /&#62;


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404: Resistance in the Digital Age (2019) is a concept developed for CFCCA by RAGE collective that looks at the ways in which civilians attempt to take back power from restrictive government in light of growing censorship and surveillance online. It explores the dynamics of online power relationships and the ways resistance movements now use the internet to counter restrictions such as hacktivist movements, revolutions organised through social media and the widespread use of memes.
Inspired by the censorship method of oversaturation of information online, this new work is a 12 channel immersive film and sound installation. It uses archival footage from 1989 alongside new contemporary material, allowing audiences to reflect on the parallels between 1989 and today.

&#60;img width="1149" height="1470" width_o="1149" height_o="1470" data-src="https://freight.cargo.site/t/original/i/9dc80b863c4fb654f72bf531e4fcc9b827184de946b081a2e537ec1c85feac99/41f5ee6cd6257e8d0eb3e3eadfd1fb1da4b61ed0_2200.jpg" data-mid="49952509" border="0"  src="https://freight.cargo.site/w/1000/i/9dc80b863c4fb654f72bf531e4fcc9b827184de946b081a2e537ec1c85feac99/41f5ee6cd6257e8d0eb3e3eadfd1fb1da4b61ed0_2200.jpg" /&#62;
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Private View on 23 May 2019. 


	
on site experience of Che Fare.mp4 from amale khlat on Vimeo.


	404: Surveillance is Surveying (2022)&#38;nbsp;
RAGE Collective has developed this new commission for the University of Bologna with the collective, Into The Black Box, which traces methods of resistance over the last thirty years, looking at how digital platforms have been adopted as the primary means of organising and protesting. 
This new work is an immersive split-screen video and sound installation. It is combined with 17 QR codes inviting the viewer to scan them onsite and transport them into a deeper experience, to reflect on the parallels between 1989 and today.

The website www.rage404project.com was created as an online version of the exhibition, which lasted for a month since the show opened.&#38;nbsp;

The exhibition was part of the art festival, Arte Fiera.&#38;nbsp;

	
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&#38;nbsp; Artwork by Peter Kennard
&#60;img width="3104" height="1746" width_o="3104" height_o="1746" data-src="https://freight.cargo.site/t/original/i/89330d750d4a71681b56aba9ec91dacb1b221dc6c2a9efc9e6e8f54020135285/PaulCoombs6.jpg" data-mid="49953022" border="0"  src="https://freight.cargo.site/w/1000/i/89330d750d4a71681b56aba9ec91dacb1b221dc6c2a9efc9e6e8f54020135285/PaulCoombs6.jpg" /&#62;










Star and Bars by&#38;nbsp;Paul Coombs












The Odious Smell of Truth&#38;nbsp; (2017)
The Odious Smell of Truth is the first exhibition by the RAGE Collective. The group made up of International, EU and British Fine Art Students from the Royal College of Art working together with Peter Kennard, RCA Senior Fine Art Tutor. The show is this group of emerging artists’ reaction to global issues ranging from populism, national identity, human rights, demagoguery, war and economic crisis.&#38;nbsp;&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/6ffd988bfacba44560e4dfb8ee9bbf5d744da4f1285be7e5ebc76c911cde75e7/rage1-1.jpg" data-mid="49953017" border="0"  src="https://freight.cargo.site/w/1000/i/6ffd988bfacba44560e4dfb8ee9bbf5d744da4f1285be7e5ebc76c911cde75e7/rage1-1.jpg" /&#62;




	
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	Bapor Tabo(o) (2017)A one-day moving exhibition, also part of Art Licks Weekend 2017‘s programme, curated by _Inventory,&#38;nbsp; London. 
Bapor Tabo(o) set on a boat flowing and gliding through the locks, along the London canals, showcasing live performances by live artists, groups, contemporary dancers and movers, musical performances and spoken word. The boat’s façade is strewn with artworks flying in the form of flags, posters and banners by RAGE collective. &#38;nbsp;



	&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0f2553698a4d93c11fdc1bd024d10cc771a78c240cb9a0cab32f5e141bc507bd/IMG_0231.JPG" data-mid="50029518" border="0"  src="https://freight.cargo.site/w/1000/i/0f2553698a4d93c11fdc1bd024d10cc771a78c240cb9a0cab32f5e141bc507bd/IMG_0231.JPG" /&#62;


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Top - Supremacy for All by Tamara Kametani





	
	
	
	
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		<title>About us</title>
				
		<link>https://rageartcollective.com/About-us</link>

		<pubDate>Thu, 05 Sep 2019 11:07:28 +0000</pubDate>

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		<description>RAGE Collective is a group of international artists, beyond national identity, whose works collectively respond to global issues ranging from populism, identity, human rights, demagoguery, war and economic crisis. Established in 2016 with an urge to voice our discontent with present political and social issues, the group later developed into an ongoing endeavor inviting other artists to participate in their discussions, exhibitions, and events. With a fluid approach to membership, RAGE deconstructs current global socio-political issues while applying their research-based practice to find creative solutions through the use of visual language.&#38;nbsp; &#38;nbsp;


RAGE Collective had collaborated with these organisations and institutes: DAMSlab, University of Bologna, IT
Into the Black Box, IT
Paris College of Art, FR
Centre for Chinese Contemporary Art (CFCCA), Manchester, UK 
MOVEMENT Gallery, Worcester, UK 
Art Licks Weekend, London, UK _Inventory Platform, London, UK 
Royal College of Art, London, UK


Artists who had participated in previous RAGE Collective’s exhibitions (click to see their work) :Larry Amponsah (Ghana)Rhine Bernardino (Philipines)Paul Coombs (UK)Amy Cornfield (UK/ South Africa)Tamara Kametani (Slovakia)Yoshi Kametani (USA)Amale Freiha Khlat (Lebanon/ UK)Peter Kennard (UK)
Hyun Kim (South Korea)Mark Langston (UK)Saeed Al Madani (UAE)Francis Olvez-Wilshaw (UK/ Philipines)Shinyoung Park (South Korea)Eugenia Popesco (UK)Camila Mora Scheihing (Chile/ France)Sing Hang Tam (Hong Kong)Po Yi Bonnie Wong (Hong Kong)


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		<title>Artists</title>
				
		<link>https://rageartcollective.com/Artists</link>

		<pubDate>Thu, 05 Sep 2019 11:15:16 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

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		<description>Artists who had participated in previous Rage Collective’s exhibitions (click to see their work) :Larry Amponsah (Ghana)Rhine Bernardino (Philipines)Paul Coombs (UK)Amy Cornfield (UK/ South Africa)Tamara Kametani (Slovakia)Yoshi Kametani (USA)Amale Freiha Khlat (Lebanon/ UK)Peter Kennard (UK)
Hyun Kim (South Korea)
Mark Langston (UK)Saeed Al Madani (UAE)Francis Olvez-Wilshaw (UK/ Philipines)Shinyoung Park (South Korea)Eugenia Popesco (UK)Camila Mora Scheihing (Chile/ France)Sing Hang Tam (Hong Kong)Po Yi Bonnie Wong (Hong Kong)</description>
		
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		<title>Archive MENU</title>
				
		<link>https://rageartcollective.com/Archive-MENU</link>

		<pubDate>Thu, 05 Sep 2019 14:21:21 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

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THE ODIOUS SMELL OF TRUTH (2017) HOCKNEY GALLERY, LONDON


&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/1917c082b4f9caab0460a3b90a916056abb88734e4ecbdddc89da20e536b640b/rage1-1.jpg" data-mid="49954759" border="0"  src="https://freight.cargo.site/w/1000/i/1917c082b4f9caab0460a3b90a916056abb88734e4ecbdddc89da20e536b640b/rage1-1.jpg" /&#62;
	
NETWORK (2017) MOVEMENT, WORCESTER

&#60;img width="700" height="989" width_o="700" height_o="989" data-src="https://freight.cargo.site/t/original/i/c229250a53f411c7d977eb0c836367caadb49568c7cc99bbe23c1114e9642454/movement-poster-draft.jpg" data-mid="49954924" border="0"  src="https://freight.cargo.site/w/700/i/c229250a53f411c7d977eb0c836367caadb49568c7cc99bbe23c1114e9642454/movement-poster-draft.jpg" /&#62;
	
BAPOR TABO(O) (2017)&#38;nbsp; ART LICKS WEEKEND, LONDON

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		<title>404: RESISTANCE IN THE DIGITAL AGE (2019) </title>
				
		<link>https://rageartcollective.com/404-RESISTANCE-IN-THE-DIGITAL-AGE-2019</link>

		<pubDate>Thu, 05 Sep 2019 11:17:40 +0000</pubDate>

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		<description>404: RESISTANCE IN THE DIGITAL AGE (2019)
23 May 2019 - 21 Jul 2019 Centre of Chinese Contemporary Art, Manchesterhttp://cfcca.org.uk/exhibition/RAGE-collective/
In 1989 seismic events took place globally, most notably the fall of the Berlin Wall, the Tiananmen Square protests and the invention of the World Wide Web. Thirty years on, the impact of these events seem to be as relevant as ever. This exhibition uses these events as an entry point to explore the changes over the last thirty years in methods of resistance, looking at how digital platforms have been adopted as the primary means of organising and protesting.404: Resistance in the Digital Age is a new exhibition concept developed for the Centre of Chinese Contemporary Art (CFCCA) by RAGE collective that looks at the ways in which civilians attempt to take back power from restrictive government in light of growing censorship and surveillance online. It explores the dynamics of online power relationships and the ways resistance movements now use the internet to counter restrictions such as hacktivist movements, revolutions organised through social media and the widespread use of memes.Inspired by the censorship method of oversaturation of information online, this new work is a 12 channel immersive film and sound installation. It uses archival footage from 1989 alongside new contemporary material, allowing audiences to reflect on the parallels between 1989 and today.Five members of the Rage Collective —&#38;nbsp;Po Yi Bonnie Wong, Amale Freiha Khlat, Camila Mora Scheihing, Tamara Kametani and Yoshi Kametani&#38;nbsp;— worked on this show.
RAGE had also participated in an artist talk as part of CFCCA’s Thursday Lates. We discussed the new work on the subject of politics and protest in the digital age and answered questions about how we work, our collaborative practice and approaches to political artworks.

Media converage:&#38;nbsp;
https://www.creativeboom.com/inspiration/rage-collective/
Photos and videos:&#38;nbsp;


RAGE Collective - Teaser 2019 from amale khlat on Vimeo.
RAGE Collective - Digital Poster 2019 from amale khlat on Vimeo.

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︎ click here to see other RAGE projects
</description>
		
	</item>
		
		
	<item>
		<title>404 : SURVEILLANCE IS SURVEYING</title>
				
		<link>https://rageartcollective.com/404-SURVEILLANCE-IS-SURVEYING</link>

		<pubDate>Mon, 23 May 2022 13:36:32 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

		<guid isPermaLink="true">https://rageartcollective.com/404-SURVEILLANCE-IS-SURVEYING</guid>

		<description>Chapter 2, 404: SURVEILLANCE IS SURVEYING (2022)
13 - 15 May 2022 (Part of Arte Fiera)DAMSlab, University of Bologna, Italy
http://www.intotheblackbox.com/events/che-fare/
RAGE Collective has developed this new commission for the University of Bologna with the collective, Into The Black Box, which traces methods of resistance over the last thirty years, looking at how digital platforms have been adopted as the primary means of organising and protesting. This new exhibition combines both chapters: Chapter One, 404: Resistance in the Digital Age (commissioned by the Centre of Chinese Contemporary Art, Manchester in 2019) and Chapter Two, 404: Surveillance is Surveying. The research project focuses on the use of archival footage alongside new contemporary visual symbols. Together they explore the dynamics of online power relationships and the ways resistance movements such as hacktivist movements, revolutions organised through social media and the widespread use of memes now use the internet to counter restrictions. Inspired by the censorship method of oversaturation of information online, this new work is an immersive split-screen video and sound installation. It is combined with 17 QR codes inviting the viewer to scan them onsite and transport them into a deeper experience, to reflect on the parallels between 1989 and today. A website (www.rage404project.com) was created as an online version of the exhibition, which lasted for a month since the show opened. The exhibition was part of the art festival, Arte Fiera.&#38;nbsp;

 1989 was a significant year. Seismic events took place globally, most notably the fall of the Berlin Wall, the Tiananmen Square protests and the invention of the World Wide Web which brought about the start of the Digital Age. These events had a noticeable impact that continues to affect us even now, thirty years later. In 2022, with the help of Covid-19, governments around the world can now justify the use of digital surveillance and Big Data beyond the pandemic as a means to protect national security, implement governance priorities, and serve future public health interests. The growing dependency on digital technologies is becoming a way of life, and at the same time, the collection of data using them for surveillance operations.&#38;nbsp;Five members of the Rage Collective — Po Yi Bonnie Wong, Amale Freiha Khlat, Camila Mora Scheihing, Tamara Kametani and Yoshi Kametani — worked on this show. 

Click here to see Chapter 1 of the 404 project.

Photos and videos:&#38;nbsp;
on site experience of Che Fare.mp4 from amale khlat on Vimeo.
website browse 3 mins.mp4 from amale khlat on Vimeo.



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︎ click here to see other RAGE projects
</description>
		
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	<item>
		<title>THE ODIOUS SMELL OF TRUTH </title>
				
		<link>https://rageartcollective.com/THE-ODIOUS-SMELL-OF-TRUTH</link>

		<pubDate>Thu, 05 Sep 2019 11:19:16 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

		<guid isPermaLink="true">https://rageartcollective.com/THE-ODIOUS-SMELL-OF-TRUTH</guid>

		<description>THE ODIOUS SMELL OF TRUTH 

Hockney Gallery, 19th-21st April 2017Private View on 19th April 

The Odious Smell of Truth is an exhibition by the RAGE Collective made up of International, EU and British Fine Art Students from the Royal College of Art working together with Peter Kennard, RCA Senior Fine Art Tutor. The show is this group of emerging artists’ reaction to global issues ranging from populism, national identity, human rights, demagoguery, war and economic crisis.

Shinyoung Park and Hyun Kim work are about corruption and internalized power in South Korea. Mark Langston, Eugenia Popesco, and Amy Cornfield respond to Brexit and class issues in the UK. Amy also tackles the complexities of heritage and the persistence of racism in South Africa. Francis Olvez-Wilshaw addresses economic collapse. Amale Khlat’s work reconstructs war memories through voices and images. Bonnie Wong emphasizes the ridiculousness of media. Paul Coombs presents a new flag for a ‘new’ America. Camila Mora Scheihing mirrors the past with the present. Tamara Kametani comments on the EU’s asylum policies. Rhine Bernardino focuses on the violence of the President of the Philippines’ war on drugs along with the horror of arbitrary value placement, abstraction, and disconnection that come with it.

Media Coverage:

The Odious Smell of Truth: Peter Kennard and the RAGE Collectivehttps://www.rca.ac.uk/news-and-events/rca-blog/odious-smell-truth-peter-kennard-and-rage-collective/

The Royal College of Art Presents The Odious Smell of Truthhttps://www.rca.ac.uk/news-and-events/press-releases/royal-college-art-presents-odious-smell-truth/


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&#60;img width="6110" height="9072" width_o="6110" height_o="9072" data-src="https://freight.cargo.site/t/original/i/ae70d07ab872730bd8eb39923a1616f242783550eb4922803bcab60fb7217592/PeterKennard2.jpg" data-mid="49948408" border="0"  src="https://freight.cargo.site/w/1000/i/ae70d07ab872730bd8eb39923a1616f242783550eb4922803bcab60fb7217592/PeterKennard2.jpg" /&#62;
︎ Back to ARCHIVE

</description>
		
	</item>
		
		
	<item>
		<title>NETWORK </title>
				
		<link>https://rageartcollective.com/NETWORK</link>

		<pubDate>Thu, 05 Sep 2019 11:22:59 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

		<guid isPermaLink="true">https://rageartcollective.com/NETWORK</guid>

		<description>NETWORK 
at MOVEMENT, Worcester
21st – 31st July 2017Private View on 20th July 2017

In this second exhibition by the RAGE Collective, the groups’ fluidity, in terms of dimension, contributors, and artwork, has allowed it to swiftly react to recent social issues.&#38;nbsp;Supported by MOVEMENT Gallery, a converted gentlemen’s toilet at Worcester Foregate Street railway station, the exhibition aims to show the satirisation of current chaotic and uncontrollable political madness. We hope to invite the audience or passengers to pause on their individual journeys and reconsider the severity of issues that we may seem to distance ourselves from because of our backgrounds and cultural differences.

‘Network’ follows RAGE Collective’s debut exhibition, ‘The Odious Smell of Truth’, which took place at the Royal College of Art’s Hockney Gallery in April 2017.
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/38dcab5b0cfce0a5f1b7984cee68dee6c5a9d6d59741927682b7d5c07c3e1847/IMG_1545.JPG" data-mid="49950421" border="0"  src="https://freight.cargo.site/w/1000/i/38dcab5b0cfce0a5f1b7984cee68dee6c5a9d6d59741927682b7d5c07c3e1847/IMG_1545.JPG" /&#62;

&#60;img width="6016" height="2936" width_o="6016" height_o="2936" data-src="https://freight.cargo.site/t/original/i/54d141bfa2a8895f4f9024ec9c8eb803adc063592a0eb75051585408cdc174e2/IMG_1550-3.JPG" data-mid="49950423" border="0"  src="https://freight.cargo.site/w/1000/i/54d141bfa2a8895f4f9024ec9c8eb803adc063592a0eb75051585408cdc174e2/IMG_1550-3.JPG" /&#62;︎ Back to ARCHIVE

</description>
		
	</item>
		
		
	<item>
		<title>BAPOR TABO(O)</title>
				
		<link>https://rageartcollective.com/BAPOR-TABO-O</link>

		<pubDate>Thu, 05 Sep 2019 11:29:37 +0000</pubDate>

		<dc:creator>rageartcollective</dc:creator>

		<guid isPermaLink="true">https://rageartcollective.com/BAPOR-TABO-O</guid>

		<description>BAPOR TABO(O) for ART LICKS WEEKEND

Bapor Tabo(o) is a one-day moving exhibition, also part of Art Licks Weekend 2017‘s programme, curated by Inventory London.

Bapor Tabo(o) set on a boat flowing and gliding through the locks, along the London canals, showcasing live performances by live artists, groups, contemporary dancers and movers, musical performances and spoken word. The boat’s façade is strewn with artworks flying in the form of flags, posters and banners by RAGE collective and artists whose works deal with political issues and concerns, serving as a stage for live works and performances to take place.

Artists who participated in Bapor Tabo(o) includes:Larry Amponsah, Rhine Bernardino, Amy Cornfield, Tamara Kametani, Yoshi Kametani, Amale Freiha Khlat, Peter Kennard, Saeed Al Madani, Camila Mora Scheihing, Sing Hang Tam, Po Yi Bonnie Wong

Link: http://artlicksweekend.com/2017/events/bapor/

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